How Captain Marvel is empowering women ahead of International Women’s Day

Captain Marvel’s arrival in the MCU has been long overdue. The much-anticipated flick, which flies into cinemas on March 8, sees a Marvel movie debut a female-led film in its franchise for the first time, and serve up the beginning of a power shift in its movie-verse.

It’s fitting, then, that Captain Marvel should share its release with International Women’s day. The annual date that celebrates the global achievements of women has already inspired plenty to act, but Captain Marvel’s presence on this date is hard to understate. Hannah Cowton, lifestyle blogger for The London Geek, believes that Captain Marvel’s impact can already been seen first-hand, and thinks that International Women’s Day helps to showcase this point.

“I think that it (International Women’s Day) is a great day to leverage all of our important work,” she said. “Already the film has proven to have it’s young female audience in mind with the recent GoFundMe campaign, so I’m excited to see where else it will go.”

Captain Marvel International Women's Day

The GoFundMe campaign, that Hannah alludes to, recently raised over $60,000 to give underprivileged girls in LA the opportunity to see Captain Marvel on the big screen. A similar gesture that saw children in Harlem given the chance to see 2018’s Black Panther, certainly, but one that can be just as influential in giving girls a strong, female role model to emulate.

Shreya Shah agrees. The 13-year-old Londoner feels that a female Marvel superhero film is proof that there’s no limitations to what women can achieve. For Shreya, however, the cultural message that Captain Marvel sends to boys and men is just as important.

“I’d like to think that all girls believe that they can grow up and be and do anything, and aren’t limited by anything,” Shreya said. “I’d love to be able to change the world tomorrow and have more equality in everything, but I know change will take time. Everything starts with awareness, so I will make sure we celebrate International Women’s Day, and make sure my friends who are boys celebrate too!”

Captain Marvel Brie Larson Carol Danvers

Dr Shelley Cobb, Associate Professor of Film at Southampton University, also maintains that Captain Marvel’s social and cultural impact can help with gender disparity in the film industry. Using her global status, Captain Marvel star Brie Larson has called for greater representation of women, from those working in the film industry to journalists and critics, in a bid to promote equality throughout the film’s press tour. It’s a welcome boost that Dr Cobb believes can help usher in a sea change across the board.

“Films like this with several women behind screen can set a good example and, more importantly, give these women high-level experience that should get them more jobs,” she explained. “Many women will go see the film on that day as a way of celebrating women’s global progress, even if there is still so much more to do. It will still mean something possibly very special to a group of female friends, sisters, mother and daughter, mother and son, or father and daughter who go to see it together.”

The global reach of the MCU means that anyone – no matter their age, ethnicity, nationality, or sexual orientation – can be inspired by the themes that Captain Marvel explores. Barcelona-born Veronica Ramos Gonzalez, who plans to celebrate International Women’s Day with the most important woman in her life – her mother – believes that Captain Marvel’s universal appeal will help all women to feel confident in their own skin.

“We’re told from a very young age that there’s always going to be a man that’s going to save us,” she stated. “Well, not anymore. We may not have Carol’s powers, but we can be pilots and we can be funny and badass, and vulnerable and stoic. Being different is always a good thing, and I think Carol is going to show us girls and women exactly that.”

Captain Marvel MCU Avengers Endgam

Veronica’s view is one that Sophie Kerlin can relate to. Whilst she’s disappointed that women still have to appoint a specific day to acknowledge their achievements, Sophie thinks that Captain Marvel can help to provide a platform for more female-led movies across all genres.

“We’re already seeing that films with female leads are outperforming others in the box office, with films celebrating female power and trying to normalise the sight of a female heroine such as Wonder Woman or the rebooted Tomb Raider,” she said. “Hopefully this will be the start of a new wave of female-led films that accurately represent the achievements of women across the world.”

Captain Marvel has plenty riding on it, not least because of the MCU’s male-oriented film franchise. Negative online comments, that led to score aggregation website Rotten Tomatoes to change its policy that allowed users to rate unreleased films, have also tried to undermine its release.

And yet, despite this, it’s not difficult to recognise the impact that Captain Marvel is having. The film’s influence is there to see and, as International Women’s Day looms into view, it can help to bridge the gap between genders that, one day, may not need to be bridged any longer.

Who Won’t Die in Avengers: Infinity War?

It’s all been leading to this, or so Avengers: Infinity War’s tagline has suggested.

The culmination of Marvel’s Cinematic Universe (MCU) will see the Mad Titan Thanos take on Earth’s Mightiest Heroes when Infinity War is released this week, and many fans all over the globe on eagerly anticipating the third installment of the Avengers arc.

Lots are also crossing all of their digits in the hope that their favourite superhero won’t perish at Thanos’ hand, with the likes of Captain America, Iron Man, Thor and the Vision.

Much has been written about who is expected to give their life to defend Earth, but what about those who should – and almost certainly will – survive to fight another day?

Let’s take a look at the contenders who are pretty much nailed on to take residence in the post-Infinity War MCU:

[NB: Potential spoilers follow on from this point!]

Black Panther

bpMarvel’s biggest money maker after it raked in more cash at the worldwide box office than the first Avengers film, Black Panther – aka King T’Challa – will definitely live.

Chadwick Boseman’s awesome portrayal of the King of fictional African nation Wakanda, and subsequent triumph of the overall film, means a sequel or two are destined to be on Marvel’s Phase 4 and 5 list.

One who should have no worries about making it through.

Spider Man

spidermanPlenty have become a fan of Holland’s Peter Parker in his two MCU outings to date but, judging by footage in one of the trailers, he could come up a cropper against Thanos.

Holland’s Spider Man, though, is another big hit for Marvel and has a six-film deal. Miles Morales’ iteration of the character won’t be too far away from hitting the big screen, but for now expect Spider Man to live to tell the tale.

Bucky Barnes

buckybarnesLabelled the ‘White Wolf’ after seemingly being cured of his Winter Soldier indoctrination at the end of Black Panther, Bucky Barnes should have a big role to play in Infinity War.

Actor Sebastian Stan penned a ludicrous nine-film contract when he signed on for the first Cap film, and has only featured in three flicks to date.

With Avengers 3 and 4 only taking him up to five, he’s a dead cert to make it out alive.

The Guardians of the Galaxy

guardiansYou could expect Marvel to finish off one of their cinematic original Guardians – Star Lord, Drax, Rocket Raccoon, Groot, Gamora and Mantis – in Infinity War, but there’s not really a reason to do so.

With a third film already slated for release in Phase 4 of the MCU, and with all of the Guardians’ actors and actresses signed on for a couple more films, there’s no reason to suspect they won’t survive and jet off to do some more galaxy defending.

Bruce Banner/The Hulk

brucebannerWith almost all of the original Avengers lineup’s contracts ending after Avengers 4, not many are expected to help usher in Phase 4 of the MCU.

One who should be in line to feature, however, is Mark Ruffalo. The actor has a six-film contract with Marvel and would have one film left to feature in post-Avengers 4, so he must surely fight on.


hawkeyeHe’s nowhere to be seen in any of the Infinity War trailers, but directors Joe and Anthony Russo have claimed that all will be revealed about Jeremy Renner’s character during the movie.

Renner apparently has a Hawkeye standalone film in his Marvel contract too and, while it’s highly unlikely that’ll ever happen, the fact that it’s there gives leeway to him remaining part of the MCU moving forward.

War Machine & Falcon

wmfalconThe lieutenants of Iron Man and Captain America respectively, James Rhodes and Sam Wilson may be surprise inclusions on this list.

With neither being a full-scale Avenger, it could be easy for Marvel to kill them off without too much backlash – but spots may open up for them in the Avengers lineup after Infinity War.

If Tony Stark or Steve Rogers make it – extremely likely at this point – then the duo could be in line for the mantles of Iron Man or Cap, providing the latter isn’t given to Bucky Barnes.

Alternatively, they just remain as characters in the MCU to help aid the newcomers moving forward.


antmanA bit of a given due to Ant-Man and the Wasp being the next Marvel film to be released.

Like Hawkeye he’s been absent from any Infinity War promotional material, but with the sequel to the first Ant-Man set to release in the summer it’s obvious that Scott Lang will feature in some capacity past Avengers 3.

It’s unclear where Ant-Man’s sequel lies in relation to Infinity War, but we can expect to see Paul Rudd play some part in Avengers 4.

Anybody else?

widowwitchQuite a lot of the main Avengers and supporting cast are up for the chopping block from Infinity War onwards with a number of A-listers’ contracts set to end after Avengers 4.

Who might be back after that? Black Widow – who may perish – could be brought back if a standalone movie is green-lit, Shuri and Okoye must be dead certs with Black Panther sequels in the works, Dr. Strange if a second film is quietly in the works and Scarlet Witch could be if she doesn’t lose it if/when Vision bites the dust.

Every other bit hitter though? It might be best to have a box of tissues at the ready.

Avengers: Infinity War opens in UK cinemas at midnight on Thursday 26th April

Guardians of the Galaxy 2 Review

The unprecedented triumph of Marvel Studios’ 2014 summer hit Guardians of the Galaxy Vol. 1 is perhaps the comic-book giant’s biggest cinematic success story to date.

Sitting a not-too-shabby fifth place in the all-time highest grossing Marvel flicks list, much was expected of director James Gunn’s follow-up to the merry band of misfits that saw plenty of cinema goers fawning over a humanoid tree and laughing at the numerous laughs from one of the best assembled film casts in recent times.

The 2017 sequel to Guardians  Vol. 1, then, had much to live up to. Those who fear it wouldn’t need not worry – it does so, and more.

gotg3Building upon its predecessor, the second installment in the Guardians’ franchise picks up shortly after the events of volume 1’s story arc, and finds our intrepid heroes battling an interdimensional abilisk as the backdrop to an opening credits sequence that sees baby Groot take centre stage.

It’s a humorous – and aww-inspiring – reminder of how Gunn’s vision and flair towards the franchise, and shows him to be one of the finer comedy-oriented film makers of the current era.

From there, the plot jumps and careens its way through a plethora of visually-stunning set pieces, complete with plenty of CGI planets, space-hopping and action sequences that will leave viewers in awe of the sheer scale of what they’re witnessing.

gotg2The core cast – Star-Lord (Chris Pratt), Gamora (Zoe Saldana), Drax (Dave Bautista), Rocket Raccoon (Bradley Cooper) and Groot (Vin Diesel) – bounce off each other with an ease and hilarity that lends just as much credit to Gunn’s script as it does to their comedic timing, and helps to build the evident rapport – and quarrelsome nature – of the team of outsiders.

With the foundations set in the first film, the story allows the quintet’s characters to be fleshed out and developed further, which adds further emotional depth to each of their disjointed personas and allows the audience to really feel for these individuals.

Backing the Milano crew up are returning favourites Michael Rooker and Karen Gillan as Yondu and Nebula respectively, while newcomers in the form of Pom Klementieff’s Mantis, Elizabeth Debicki’s Ayesha and Kurt Russell’s Ego naturally add to the weird and wonderful world that Gunn has created.

gotg4Speaking of things Gunn has created, the director and composer Tyler Bates have yet again crafted a superb and distinctive soundtrack to accompany Guardians Vol. 2 and, much like its predecessor, the musical numbers hit all the right notes.

From Fleetwood Mac’s ‘The Chain’ to George Harrison’s ‘My Sweet Lord’ and everything inbetween, each carefully selected track lends a certain gravitas to the scene it’s playing out with, and helps give additional impact and resonance to each point in the film’s arc.

The original score helps to evoke certain emotions within the audience too, but it’s the licensed soundtrack that gives Guardians a distinctive flavour over other Marvel properties, and seeing how well each melody and the lyrics tie into certain scenes – especially those on the heartwrenching side of things – marry well with the performances of the cast.



Some critics will, rightly or wrongly, point towards issues surrounding a lack of originality behind the over-arcing story, or cry foul over supposedly seen-and-heard-before jokes which, given the slowly growing negativity over some people becoming tired over the amount of comic-book films being mass produced right now, is perhaps a worthy criticism to have.

In contrast to point, however, if the formula isn’t broken, why try and fix it? Marvel – and Gunn, in particular – know their audience, and to make unnecessary changes to create something authentically akin to Vol. 1 may have left some audiences wondering why they’ve just sat through a replica of Vol. 2‘s earlier cousin.

Guardians of the Galaxy Vol. 2 is an almost perfect blend of action-packed set-pieces, amusing scenes and heartstring-tugging moments that ensure the two hour run-time feels like no time at all.

gotg6The manner with which each scene, act and Easter Egg – including those five mid- and post-credit scenes – have been intricately developed has helped ensure that Marvel will certainly have another surefire winner on their hands.

With Gunn at the helm of the third installment in this delightful franchise – following the events of the next two star studded Avengers flicks – the future is bright for both Marvel Studios and the Guardians themselves.

Only one team will be able to save the galaxy on three seperate occasions, and it sure as hell isn’t the Avengers. It’s a family of misfits who go by the name ‘The Guardians of the Galaxy’.

The Ones Who Dream: Why La La Land Resonates So Deeply With the Human Condition

“Here’s to the ones who dream, crazy as they may seem. Here’s to the hearts that break, here’s to the mess we make.”

As Emma Stone belts out the final verses of La La Land‘s penultimate song, Audition (The Ones Who Dream), it’s difficult not to internalise them and ponder what they mean individually to each of us.

Simple words constructed in such an easy sentence, yes, but never have truer words been spoken – or, rather, sung – about the frailties of human endeavour to overcome obstacles in life and achieve greatness against all the odds.

It is, for this very reason, why La La Land deserves every plaudit and accolade that is bestowed upon it.

lalaland3A movie full of charm and emotion, music and comedy, joy and sorrow, and that is stirring and heartbreaking, inspiring and moving, at its heart, La La Land is a straightforward story about two lost souls trying to passionately pursue their dreams in one of the most soul crushing cities on the planet.

And, yet, La La Land resonates deeply within cinema goers, who have had the pleasure of sitting down and watching two hours pass by, as they marvel at the abstract nature of a story that echoes within the very core of humanity as a whole.

It is a microcosm of every individual’s dream of becoming someone greater than who they are, thanks in part to realising those dreams and accomplishing goals. Regardless of whether any person still holds onto their dream, has realised or has seen it fall away and felt diminished because of it, it is human nature to have aspired, and continue to aspire, to be more than what we are.

lalaland1In La La Land, both Mia (Stone) and Sebastian (Ryan Gosling) portray the trials, tribulations and struggles of people doing their best to realise their lifelong ambition to make it as an actress in Hollywood and successful jazz club owner respectively – a battle that is relatable to each and every viewer, if not by profession then certainly be their desire to become successful at what they’re most passionate about.

The beauty of the film’s narrative, and the manner in which it is so intimately portrayed, meant that it wouldn’t have mattered what dream each character was pursuing – the duo could have been attempting to make it as a lawyer or football player, or a journalist and politician – and that is down to the core values at the heart of the film.

Feelings of hopelessness, dejection, hurt and acceptance of defeat make way for triumph, elation, healing and refusal to surrender before returning again, as if to offer up a glimpse into how our own lives bear resemblance to roller-coasters – the dips and falls to-ing and fro-ing with the highs and crescendos.

lalaland4That the flick is filled with other striking symbolism, such as its soundtrack detailing each character’s arcs or the changes in colour and tonal feel of Stone’s costumes throughout the film’s length, only add to the simplicity of the human nature on display in La La Land, and help to convoy the overall tone of the motion picture to the audience.

It is also helps to have such a marvellous cast carry out the roles to a tee. Both Stone and Gosling shine as the will-they-won’t-they couple, with each bringing their own gravitas and comedic timing to events, while the supporting cast – including Golden Globe winner J.K. Simmons and singer-songwriter John Legend – help to drive the story forward whether it be through the film’s musical numbers or screen time in other capacities.

And what of the film’s original score itself? If there’s a catchier, more triumphant display of award-winning direction than that concocted by Justin Hurwitz this year, it’ll be some soundtrack to dethrone La La Land‘s ability to worm its way into your head and stay there for days on end. From the bright and breezy opening number of Another Day of Sun – a fine musical number that sets out the scene for the two protagonists with their backstories – to the duet’s performance of City of Stars, La La Land‘s musical score is as good as they come.

lalaland2Director Damien Chazelle has assembled an all-star cast, sensational musical score and jaw-dropping backdrop to a deserved Oscar-winning contender of a film. Yet, without its humanistic values on display across its 128-minute run-time, La La Land could be viewed by many as just another musical comedy for those of a certain disposition to enjoy.

As it is, the fundamentals that make La La Land such a triumph is its ability to resonate with even the hardest of hearts, and what it means to be a person striving to become their best self.

If that’s not something to reflect on and to be inspired by, especially with the way the world is at the present time, it’s hard to say what is.

Deadpool Review

“With great power comes great irresponsibility.”

If ever a tagline gave an indication of what audiences could expect upon seeing Deadpool, the parody of the infamous Spiderman quote summed it up in a microcosm.

Hilarious, crass, violent, lewd and, at times, heartfelt, Deadpool has taken everything from the typical superhero film rulebook – and scribbled all over it.


Right from the opening credits, the film’s self-deprecating humour is brought to the fore, with director Tim Miller described as “An Overpaid Tool” and star Ryan Reynolds depicted as “God’s Perfect Idiot” over the culmination of a no-doubt riotous car chase scene.

And that’s just were the fun starts for the pair who fought long and hard for such a film to be given the green light.

It’s no secret that the leaked test footage provided the fulcrum for the gigantic wave of support from the internet to see Deadpool made, and Miller and Reynolds repaid that faith by producing a flick that encapsulates the character perfectly.

Charming, witty and outrageously crude, the self-styled Merc with a Mouth bulldozes his way through all manner of jokes, one-liners and retorts that will have any fan creased up with laughter.


The subtle digs and sly references to other superhero films – though, as Deadpool points out, “I didn’t ask to be super, and I’m not a hero” – only add to the humorous nature that the film prides itself on too, and even Liam Neeson bears the brunt of one particularly funny moment.

At the heart of the story, however, is something that movie goers have become used to in recent years: a man just trying to save his girl from the bad guys.

Reynolds and Morena Baccarin, who plays Vanessa, Wade Wilson’s/Deadpool’s significant other, sparkle on camera as the pair ooze chemistry in every scene they feature in together.

And it is their relationship that is pulled apart when Wilson, diagnosed with terminal cancer, leaves his fiance in the middle of the night to take up the offer from a shady organisation who claim they can cure his cancer.

Instead, said ‘cure’ ends up disfiguring Wilson permanently, despite giving him superhuman abilities, and he sets up about taking revenge on those who physically maimed him.


The villains of the piece, Ajax and Angel Dust, played by Ed Skrein and Gina Carano, play their roles down to a tee, but merely act as cannon fodder towards the climax of the film as Deadpool, along with X-Men Colossus and Negasonic Teenage Warhead, attempt to rescue Vanessa from harm near to what appears to be a crashed S.H.I.E.L.D helicarrier – an amusing nod to another of Marvel’s major franchises.

Stefan Kapicic and Brianna Hillebrand as the X-Men duo, as well as Weasel (T.J. Miller) provide their own positives as supporting cast members but, much like Skrein and Carano, are not given enough screen time to give too much character depth – a result most likely down to funding for the movie as a whole.

But there is more than enough for Deadpool fanatics, and normal cinema goers alike, to enjoy from another comic book adaptation that offers up a more adult romp than its Marvel predecessors.

A post-credits scene reveals a snippet of information of what we can expect from a Deadpool sequel in typically funny fashion, and caps off another runaway success for Marvel who, even eight years on from Iron Man, can do no wrong.

Verdict: A highly enjoyable, obscene, graphic and hysterical comic book movie, Deadpool hits all the right spots and leaves much more to be uncovered in future sequels. 8/10.