The unprecedented triumph of Marvel Studios’ 2014 summer hit Guardians of the Galaxy Vol. 1 is perhaps the comic-book giant’s biggest cinematic success story to date.
Sitting a not-too-shabby fifth place in the all-time highest grossing Marvel flicks list, much was expected of director James Gunn’s follow-up to the merry band of misfits that saw plenty of cinema goers fawning over a humanoid tree and laughing at the numerous laughs from one of the best assembled film casts in recent times.
The 2017 sequel to Guardians Vol. 1, then, had much to live up to. Those who fear it wouldn’t need not worry – it does so, and more.
Building upon its predecessor, the second installment in the Guardians’ franchise picks up shortly after the events of volume 1’s story arc, and finds our intrepid heroes battling an interdimensional abilisk as the backdrop to an opening credits sequence that sees baby Groot take centre stage.
It’s a humorous – and aww-inspiring – reminder of how Gunn’s vision and flair towards the franchise, and shows him to be one of the finer comedy-oriented film makers of the current era.
From there, the plot jumps and careens its way through a plethora of visually-stunning set pieces, complete with plenty of CGI planets, space-hopping and action sequences that will leave viewers in awe of the sheer scale of what they’re witnessing.
The core cast – Star-Lord (Chris Pratt), Gamora (Zoe Saldana), Drax (Dave Bautista), Rocket Raccoon (Bradley Cooper) and Groot (Vin Diesel) – bounce off each other with an ease and hilarity that lends just as much credit to Gunn’s script as it does to their comedic timing, and helps to build the evident rapport – and quarrelsome nature – of the team of outsiders.
With the foundations set in the first film, the story allows the quintet’s characters to be fleshed out and developed further, which adds further emotional depth to each of their disjointed personas and allows the audience to really feel for these individuals.
Backing the Milano crew up are returning favourites Michael Rooker and Karen Gillan as Yondu and Nebula respectively, while newcomers in the form of Pom Klementieff’s Mantis, Elizabeth Debicki’s Ayesha and Kurt Russell’s Ego naturally add to the weird and wonderful world that Gunn has created.
Speaking of things Gunn has created, the director and composer Tyler Bates have yet again crafted a superb and distinctive soundtrack to accompany Guardians Vol. 2 and, much like its predecessor, the musical numbers hit all the right notes.
From Fleetwood Mac’s ‘The Chain’ to George Harrison’s ‘My Sweet Lord’ and everything inbetween, each carefully selected track lends a certain gravitas to the scene it’s playing out with, and helps give additional impact and resonance to each point in the film’s arc.
The original score helps to evoke certain emotions within the audience too, but it’s the licensed soundtrack that gives Guardians a distinctive flavour over other Marvel properties, and seeing how well each melody and the lyrics tie into certain scenes – especially those on the heartwrenching side of things – marry well with the performances of the cast.
Some critics will, rightly or wrongly, point towards issues surrounding a lack of originality behind the over-arcing story, or cry foul over supposedly seen-and-heard-before jokes which, given the slowly growing negativity over some people becoming tired over the amount of comic-book films being mass produced right now, is perhaps a worthy criticism to have.
In contrast to point, however, if the formula isn’t broken, why try and fix it? Marvel – and Gunn, in particular – know their audience, and to make unnecessary changes to create something authentically akin to Vol. 1 may have left some audiences wondering why they’ve just sat through a replica of Vol. 2‘s earlier cousin.
Guardians of the Galaxy Vol. 2 is an almost perfect blend of action-packed set-pieces, amusing scenes and heartstring-tugging moments that ensure the two hour run-time feels like no time at all.
The manner with which each scene, act and Easter Egg – including those five mid- and post-credit scenes – have been intricately developed has helped ensure that Marvel will certainly have another surefire winner on their hands.
With Gunn at the helm of the third installment in this delightful franchise – following the events of the next two star studded Avengers flicks – the future is bright for both Marvel Studios and the Guardians themselves.
Only one team will be able to save the galaxy on three seperate occasions, and it sure as hell isn’t the Avengers. It’s a family of misfits who go by the name ‘The Guardians of the Galaxy’.